- #PRODIGY HNIC ALBUM ZIPPYSHARE MOVIE#
- #PRODIGY HNIC ALBUM ZIPPYSHARE DRIVER#
- #PRODIGY HNIC ALBUM ZIPPYSHARE SERIES#
On “ABC”, he warns “I’ll razor blade you up and cut you bad / You gon’ need plastic where your face was at / Boy, I’ll bullet-riddle you up and chop you into parts / And scatter you all over the East Coast…kiko”. Most verses contain absurdly violent threats, seemingly aimed at no one in particular. 2 are too surreal for any coherent narrative to be followed. 2 (provided mostly by Alchemist and Sid Roams) switches between traditional sampling and original synthesizer-driven beats both De Palma and Kubrick were known to use soundtracks that mixed already existing music with original scores.
The association can be made literally - “New Yitty” uses virtually the same synthesizer sound as the one used in the themes to both A Clockwork Orange and Scarface - as well as in terms of overall feel.
#PRODIGY HNIC ALBUM ZIPPYSHARE SERIES#
2, Prodigy’s second “official” solo album, plays like a scattershot series of nightmares that are better compared to the works of Brian De Palma or Stanley Kubrick. Where Return of the Mac’s thematic arc and sampling of era-specific music was more akin to films of a relatively linear filmmaker like Martin Scorsese, H.N.I.C, Pt.
#PRODIGY HNIC ALBUM ZIPPYSHARE DRIVER#
Although really an album, Return of the Mac was promoted as a mix-tape to avoid clearing all of the great ‘70s soul samples Alchemist unearthed to give the album its cinematic, blaxploitaion-version-of- Taxi Driver feel. On 2007’s Return of the Mac, Prodigy refashioned himself as a drug-addled, paranoid outsider walking the streets of New York City’s underbelly, always heavily armed, and who wouldn’t hesitate to kill anyone he thought was out to get him. The gleam of promise Prodigy showed with his “Pearly Gates” verse was fully realized on his solo “mix-tape” a year later. When you have three albums on which his are the verses you look forward to, something is wrong. Havoc, the brilliant producer responsible for the incredibly influential Mobb Deep sound, was always viewed as the lesser of the two emcees. After three unsuccessful, post-millennial Mobb Deep albums, even the most hardcore fans were starting to wonder whether P’s partner should just go solo. Unsuccessful attempts to retaliate turned P’s rapping into a series of obsessed threats that made him look like a dwarf throwing punches at a giant who had become too big to even notice. Once considered in a handful of the top East Coast emcees, Prodigy saw his street cred virtually vanish when Jay-Z, the most powerful rapper on the planet, uncovered childhood pictures of him wearing flamboyant dance attire. Many dismissed this as a shameless attempt to stir up a controversy, but there was forbidding unaffectedness in Prodigy’s voice.
#PRODIGY HNIC ALBUM ZIPPYSHARE MOVIE#
In the verse - which ended up being censored on even the explicit version of the album - P talked about beating Jesus “like the movie ” for all of the pain he had suffered.
His controversial verse on “Pearly Gates” was the first sign that the existentialism that had long been a signature theme in his music had bled into complete nihilism. The reinvented Prodigy first showed up on one of the key tracks from Mobb Deep’s maligned G-Unit debut Blood Money.
0 kommentar(er)
